Battalion / Батальонъ

Russia, 1917, WWI. This is the story of the 1st Russian Women’s Battalion of Death, formed by the Russian Provisional Government in late May of 1917. When the revolution takes place in Russia during the third year of WWI, the country faces a political crisis leading to the collapse of the Russian army. The Provisional […]

Irony and Trauma in Ordinary Fascism

There are three central issues at stake in Ordinary Fascism (Obyknovennyi fashizm, 1965): the return of fascism, the exposure of parallels between Nazi and Soviet totalitarianism, and the Soviet Union’s effacement of Jews from Holocaust representation. At the time the film was released, recycled images of Nazi crimes in previous documentaries, newsreels, and newspapers had made warnings […]

The Conscript and the Commander: The Pictorial Tradition in Sokurov’s Confession

In Confession [Povinnost’, 1998] Russian director Aleksandr Sokurov explores the world of post-Soviet naval service in a lengthy, made-for-television documentary. Marked by Sokurov’s distinctive use of painterly cinematography, Confession’s visual qualities distinguish it from typical examples of documentary film. Disavowing conventional narrative structures such as plot, easily comprehensible symbolism, and transparent social commentary, Sokurov constructs a deeply personal vision […]

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